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Published by Dumont February 2010, 2010
ISBN 10: 3832192212ISBN 13: 9783832192211
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Book
Hardcover. Condition: Used - Like New. Confronting the overlap between patriarchy and architecture head on, Monica Bonvicini (born 1965) has attracted international attention with her video 'Wallfucking' (1995)--in which a naked woman rubs her genitals against a wall protuberance--and with her site-specific installations using chains, steel and leather. 'Architecture is the ultimate erotic act,' asserts an installation in this monograph; 'carry it to excess.' Very nice clean, tight copy free of any marks.
Published by Dumont February 2010, 2010
ISBN 10: 3832190228ISBN 13: 9783832190224
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Book
Hardcover. Condition: New. The Glaswegian artist-duo Joanne Tatham (born 1971) and Tom O'Sullivan (born 1967) have collaborated since 1995, on works that seem at once austere and folksy, such as large painted geometrical shapes--cubes, pyramids--interposed in public settings. Tatham and O'Sullivan have published a number of smaller artist's books themselves, but this is the first comprehensive overview of their complex and multi-faceted oeuvre. Beautifully designed, and with texts ranging from glossaries to poems to more conventional commentary, it immediately seduces the reader into Tatham and O'Sullivan's quirky world.
Published by Dumont February 2010, 2010
ISBN 10: 3832177973ISBN 13: 9783832177973
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Book
Hardcover. Condition: New. For more than 30 years, the German artist Isa Genzken (born 1948) has been amassing a body of work in sculpture, installation, photography, collage and film. As one of Germany's brightest stars in the art world, she was well suited to represent her country at the Venice Biennale in 2007, an occasion which this volume commemorates. The title of this book and of her installation at the German pavilion plays with the word's associations as a global and globally contested resource, through a series of sculptural installations invoking in particular America's dependence on oil. Edited by Juliane Joan Rebentisch. Text by Vanessa J. Muller, Nicolaus Schafhausen, Liam Gillick.