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Seller: LIVREAUTRESORSAS, LA BAZOCHE GOUET, France
Condition: 2. Fascicule. Andaman et Ceylan.
Publication Date: 1900
Seller: Antiqua Print Gallery, London, United Kingdom
Art / Print / Poster
Condition: Good. INDIA.Paik military dance;Feudal retainer Uriya chiefs Ganjam Visakhapatnam 1900. Antique photographic book illustration; Photo by Bourne & Shepherd (1900). 14.0 x 21.5cm, 5.5 x 8.25 inches. Condition: Good. The image shown may have been taken from a different example of this print than that which is offered for sale. The print you will receive is in good condition but there may be minor variations in the condition from that shown in the image. There are images and/or text printed on the reverse side of the picture. In some cases this may be visible on the picture itself or around the margin of the picture.
Publication Date: 1900
Seller: Antiqua Print Gallery, London, United Kingdom
Art / Print / Poster
Condition: Good. INDIA. A Gyan Bapi, pool of knowledge;Hindu Saiva shrine;Nandi Siva;Parbati 1900. Antique photographic book illustration; Photo by Bourne & Shepherd (1900). 14.5 x 21.0cm, 5.75 x 8.25 inches. Condition: Good. The image shown may have been taken from a different example of this print than that which is offered for sale. The print you will receive is in good condition but there may be minor variations in the condition from that shown in the image. There are images and/or text printed on the reverse side of the picture. In some cases this may be visible on the picture itself or around the margin of the picture.
Publication Date: 1900
Seller: Antiqua Print Gallery, London, United Kingdom
Art / Print / Poster
Condition: Good. INDIA. Sacrificial custom; Cholera or Famine sacrifices to Kali 1900 old print. Antique photographic book illustration; Photo by Bourne & Shepherd (1900). 20.5 x 15.0cm, 8 x 5.75 inches. Condition: Good. The image shown may have been taken from a different example of this print than that which is offered for sale. The print you will receive is in good condition but there may be minor variations in the condition from that shown in the image. There are images and/or text printed on the reverse side of the picture. In some cases this may be visible on the picture itself or around the margin of the picture.
Seller: Bits of Our Past Ltd, Poynton, United Kingdom
Photograph
No binding. Vintage Bourne & Shepherd Studio Photo *** Date : ca 1880 *** Location/Lieu : India ? *** Photographer/Credit : BOURNE & SHEPHERD *** Categories : India - Women *** Albumen print mounted on card, good condition, light creases. *** Size in inches/Taille en pouces (1 inch=2,5 cm) : about 3.88x5.60 on 4.32x6.64 mount (Standard (CDV,CC or Stereo)) - Size in centimeters/Taille en centimetres : about 9.70x14.00 on 10.80x16.60 mount (Standard (CDV,CC or Stereo)).
Published by Harmsworth Bros Ltd London, 1899
Seller: Deightons, Bournemouth, United Kingdom
First Edition
1st edition. Small 4o. 2 page article. 605 to 608pp. 6 photo bw illustrations. EXTRACTED FROM BOUND MAGAZINE, BINDING MARKS DOWN ONE SIDE ( COULD BE TRIMMED OFF ). Very clean & tight & unfoxed. VG.
Published by L. Boulanger, 1890
Seller: Librería Miguel Miranda, Lope de Vega n.º XIX, Madrid, M, Spain
Book
Condition: Fair / Aceptable. Paris: L. Boulanger, [ca. 1890].- 10 hojas, de las que 8 son fotografías coloreadas; 4º apaisado (24 x 31,5 cm.); Texto en francés; Cuadernillo cosido con cordel sin cubierta la anterior. Falto de la cubierta anterior original, la lomera restaurada en su parte inferior. Por lo demás bien. Livre en français FOTOGRAFÍA.
Woodburytype 140 x 185mm, mounted on paper, printed title in margin. Excellent rich tones in very good condition.
Albumen print. Fair tonal range and in good condition, pasted on original mount, description in manuscript below.
Woodburytype 140 x 176mm, mounted on paper, printed title in margin. Excellent rich tones in very good condition.
Woodburytype 145 x 180mm, mounted on paper, printed title in margin. Excellent rich tones in very good condition.
Woodburytype 140 x 185mm, mounted on paper, printed title in margin. Excellent rich tones in very good condition.
Woodburytype 140 x 172mm, mounted on paper, printed title in margin. Excellent rich tones in very good condition.
Woodburytype 140 x 172mm, mounted on paper, printed title in margin. Excellent rich tones in very good condition.
Woodburytype 145 x 180mm, mounted on paper, printed title in margin. Excellent rich tones in very good condition.
Woodburytype 143 x 176mm, mounted on paper, printed title in margin. Excellent rich tones in very good condition.
Published by London c, 1877
Photograph
Woodburytype. Good rich print, mounted on paper, printed title in margin.
Albumen print. Very good tonal range and in good condition, pasted on original mount, photographers title and number in negative.
Albumen print. Very good tonal range and in good condition, pasted on original mount, photographers title and number in negative.
Demi-cuir. Condition: Très bon. Paris: L. Boulanger, s.d. [ca 1900]. Un volume in-4° oblong relié demi-cuir rouge collationné et complet contenant 25 fascicules (2pp. + 8 planches couleurs) de la collection Autour du Monde (soit 50pp. + 200 planches couleurs) reliés par thème dans l'ordre suivant : 1/ En EGYPTE : Types et Paysages. 2/ EGYPTE : Antiquités, Types & Paysages. 3/ EGYPTE : Paysages et Monuments. 4/ EGYPTE : Types et Moeurs. 5/ LA MER ROUGE : Sites & Types d'Indigènes. 6/ TERRE SAINTE : Sites et Monuments. 7/ SYRIE : Sites et Paysages. 8/ En PERSE : Types, Costumes & Moeurs. 9/ CAUCASE : Types & Paysages. 10/ CAUCASE & ASIE CENTRALE : Types & Costumes. 11/ En MACEDOINE : Sites et Costumes. 12/ GEORGIE : Sites & Paysages. 13/ TURQUIE : Types et Moeurs. 14/ TURQUIE : Types et Moeurs [suite]. 15/ Au BRESIL : Villes et Habitants. 16/ Le CANADIAN-PACIFIC-RAILWAY : Moeurs et Paysages. 17/ AUSTRALIE : Types et Coutumes. 18/ En CHINE : Moeurs & Coutumes. 19/ JAPON : Paysages et Monuments. 20/ Au JAPON : Types, Costumes & Moeurs. 21/ JAPON : Moeurs et Usages. 22/ BIRMANIE : Sites et Paysages. 23/ ILES ANDAMAN et CEYLAN : Moeurs et Coutumes. 24/ INDE : Tombeaux et Monuments Sacrés. 25/ INDE ANGLAISE : Sites et Paysages. Reliure demi-cuir (dos à nerfs titré or, quelques traces de frottement, fines auréoles marginales sur le bord supérieur de quelques planches). Très bon état. Format 32,6 x 24 cm. Poids 2,820 kg.
Albumen print. Good rich tones and in good condition. Photographer's credit in negative.
Albumen print. Photographer's title and number in negative. Bourne (1834-1912) took up photography at the age of twenty-four in 1858. In 1862 he made a trip to India and went into a partnership with Charles Shepherd who already had a photographic studio in Simla. Bourne spent ten years in India carrying his camera to almost every province. As well as taking some striking portraits of Maharajah's and topographical views, Bourne made three trips to the Himalayas, these expeditions alone assuring him a place in photographic history.
Albumen print. Fair tonal range and in good condition, pasted on original mount.
Albumen print. Good tonal range and in good condition, pasted on original mount.
Albumen print. Good tonal range and in good condition, slight sunning in margins, pasted on new mount, title in ink in manuscript.
Albumen print. Very good tonal range and in good condition, pasted on new mount, title in ink in manuscript, photographers number in negative.
Albumen print. Good tonal range and in very good condition, photographer's credit and number in negative, title in manuscript.
Albumen print. Fair tonal range and in very good condition, photographer's credit and number in negative, title in manuscript.
Published by [Lahore, 1865
Seller: James Cummins Bookseller, ABAA, New York, NY, U.S.A.
Bourne cat. # 2126. Bourne cat. # 2126. Vintage albumen print, docketed on verso. 8 3/4 x 11 1/4 in. British-born Samuel Bourne (1834-1912) photographed the landscape and architecture of India and the Himalayan region from 1863-1870. "[R]ecognized as an important landscape photographer, Bourne entered a partnership with Charles Shepherd" and "became a leading supplier of Indian views" (Pare, PHOTOGRAPHY AND ARCHITECTURE, p. 251). Matted, some wrinkling and fading to margins, else near fine Vintage albumen print, docketed on verso. 8 3/4 x 11 1/4 in.
Published by India, Pakistan, Burma, ca. 1863-1875, 1875
Seller: James Arsenault & Company, ABAA, Arrowsic, ME, U.S.A.
37 albumen prints, mostly between 8.5" x 11.375" and 10" x 12.5". Many signed in the negative "Bourne," or "Bourne & Shepherd" with an inventory number; most with manuscript captions in ink along lower edge of image and pencil annotations and inventory numbers on verso. CONDITION: Good; tonality generally strong, most with occasional light wrinkles, a few with creases at edges or chips to corners; a couple with one inch tears at edges or tape repairs on verso; all with minimal to no foxing. A rich collection of photographs primarily by pioneering travel photographer Samuel Bourne, his partner Charles Shepherd, and Bourne & Shepherd photographer Colin Murray, taken in India, Pakistan, and Burma in the 1860s and 1870s. This group of photographs spans Samuel Bourne's prolific seven year photography career in India and embraces exceptional landscape and architectural views as well as a captivating selection of portraits and ethnographic studies. Among the finest landscapes offered here are Bourne's photograph of the source of the Ganges-the goal of his last Himalayan expedition, in 1866-and his view of the Beas River, as well as his architectural views of the Jama Masjid in Delhi and the Burning Ghat in Benares. Besides a group portrait of Kashmiri women, most of the portraits and ethnographic images in this collection are the work of Charles Shepherd, including a group portrait of Pathan (also Pashtun) gentlemen in Peshawar, shots of several Afridi men, and a group of "Marauders" at Khyber Pass. Other subjects in this collection include "Elephants moving timber" in Burma; a view from the top of Humaioon's Tomb, overlooking the "Ruins of ancient Delhi"; the Observatory of Rajah Jey Singh in Delhi; a "view on the Lake Nynee Tal"; the "Marble Ghat at Rajnuggur, 900 ft in length, Oodeypore"; the "Rapids on the Pykara"; a view of the Taj Mahal; a "Burmese carriage & pair" in Yangon, and more. At least two photographs-of "Oodeypour Palace on the lake" and the "King of Burmah's state Barge," are attributed to Colin Murray, who was hired as chief photographer following Bourne's departure from India in 1870 and made many photographs for the firm. Several of the nine unsigned and unattributed photographs are likely also his work. Three photographs are definitely not by Bourne: one is signed "Shepherd & Robertson"; another is by the Bangalore-based studio Ritter, Molkenteller & Co.; and the third is signed "G. T. Sparke." Many images bear manuscript captions in ink, and three of these are signed"George Davidson, 1875.' We find no record of a photographer by that name working in the region or connected with Bourne. None of the Bourne photographs offered here have the block lettering found in his later prints. Samuel Bourne (1834-1912) ranks among the greatest travel photographers of the 19th century. He began making photographs in his native England in 1855. In 1862 his landscape photographs were included in the London International Exhibition and were very well received. Thus encouraged, Bourne sailed for India the following year, and made the first of three major trips within the sub-continent (the next came in 1864, and the last in 1866, when he was accompanied by Scottish geologist and botanist G. R. Playfair). Bourne made thousands of photographs of exceptionally fine quality, most of which focused on landscapes and architecture, although he also made some very fine portraits and ethnographic studies. He returned to England in 1870, and withdrew from the firm in 1874, having established a cotton-doubling business with his brother-in-law. REFERENCES: Pohlmann, Ulrich, Dietmar Siegert, and Esther Ruelfs, eds. Samuel Bourne: Sieben Jahre Indien. Photographien und Reiseberichte 1863-1870 (Munich: Schirmer/Mosel, 2001).