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9788833670225: Picasso: The Sculpture
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  • Picasso's contribution to the revitalization of modern sculptures cannot be underestimated. His work of over fifty years is examined in seven essays and illustrated by more than 50 exhibited works
  • Published to accompany an exhibition in Rome, at Galleria Borghese: October 24, 2018 - February 3, 2019
In 1917 Pablo Picasso traveled to Rome and Naples with Jean Cocteau and Igor Stravinskij. During this trip, for the first time, he could admire directly Hellenistic and Roman sculpture, that of the Renaissance and Baroque eras, but also the Roman frescoes of Pompei. The first exhibition dedicated to Picasso's sculpture to be held in Rome, and its accompanying catalogue, are conceived as a journey through the centuries that chronologically follows the interpretation of forms and different themes - stories and myths, bodies and figures, objects and fragments - in sculpture. The exhibition of masterpieces of the great Spanish master is accompanied by previously unpublished images of his sculpture studios (by Edward Quinn) that narrate the context in which these works were born. The catalogue includes essays that explore the visual and conceptual dialogue between the works of Picasso and works of the past, illustrating and examining over fifty works, some of which have never been exhibited before.

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About the Author:
Diana Widmaier-Picasso is an art historian specialised in modern art and drawings of the old masters. She has curated numerous exhibitions and she is preparing the catalogue raisonné of the over 2000 sculptures by Pablo Picasso. Anna Coliva is the director of the Galleria Borghese. She has been responsible for the conservation work on the gallery and new layout of its artworks. She has curated over twenty exhibitions held there and edited the respective catalogues.

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  • PublisherOfficina Libraria
  • Publication date2019
  • ISBN 10 8833670228
  • ISBN 13 9788833670225
  • BindingHardcover
  • Number of pages256

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Book Description Hardcover. Condition: new. Hardcover. n 1917 Pablo Picasso traveled to Rome and Naples with Jean Cocteau and Igor Stravinskij. During this trip, for the first time, he could admire directly Hellenistic and Roman sculpture, that of the Renaissance and Baroque eras, but also the Roman frescoes of Pompei. The first exhibition dedicated to Picasso's sculpture to be held in Rome, and its accompanying catalogue, are conceived as a journey through the centuries that chronologically follows the interpretation of forms and different themes - stories and myths, bodies and figures, objects and fragments - in sculpture. The exhibition of masterpieces of the great Spanish master is accompanied by previously unpublished images of his sculpture studios (by Edward Quinn) that narrate the context in which these works were born. The catalogue includes essays that explore the visual and conceptual dialogue between the works of Picasso and works of the past, illustrating and examining over fifty works, some of which have never been exhibited before. AUTHORS: Diana Widmaier-Picasso is an art historian specialised in modern art and drawings of the old masters. She has curated numerous exhibitions and she is preparing the catalogue raisonne of the over 2000 sculptures by Pablo Picasso. Anna Coliva is the director of the Galleria Borghese. She has been responsible for the conservation work on the gallery and new layout of its artworks. She has curated over twenty exhibitions held there and edited the respective catalogues. SELLING POINT: Picasso's contribution to the revitalisation of modern sculptures cannot be underestimated. His work of over fifty years is examined in six essays and illustrated by more than 50 exhibited works 160 colour, 41 b/w images In 1917 Pablo Picasso travelled to Rome and Naples with Jean Cocteau and Igor Stravinskij. The catalogue includes essays that explore the visual and conceptual dialogue between the works of Picasso and works of the past, illustrating and examining over fifty works, some of which have never been exhibited before. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9788833670225

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Book Description Paperback. Condition: NEUF. C'est au cours de son voyage à Rome et à Naples en 1917 avec Jean Cocteau et Igor Stravinsky que Picasso a l'occasion de rencontrer pour la première fois la sculpture romaine antique dans son cadre naturel, ainsi que la Renaissance et les peintures murales pompéiennes. Une visite à la Galerie Borghèse lui permet d'étudier les oeuvres du Bernin, qu'il retrouve à la basilique Saint-Pierre ; au Vatican il découvre également le Michel-Ange de la chapelle Sixtine. À Florence il regarde les tableaux de Raphaël, et reconnaît en Caravage le maître de la mise en scène.La première exposition à Rome consacrée à la sculpture de Picasso est conçue comme un voyage à travers les siècles, en suivant le fil chronologique et thématique de l'interprétation plastique des formes et des sujets : histoires et mythes, corps et figures, objets et fragments. L'on y découvrira des chefs-d'oeuvre du grand maître espagnol, des photos d'atelier inédites et des vidéos illustrant le contexte où sont nées les sculptures.Le catalogue présente un ensemble de réflexions nouvelles, développées à partir des associations visuelles et conceptuelles qu'engendre le dialogue exploré par l'exposition, examinant et illustrant une quantité importante d'oeuvres, dont certaines n'ont jamais été montrées au public. - Nombre de page(s) : 288 - Poids : 1800g - Genre : Sculpture. Seller Inventory # N9788833670225

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Book Description Hardcover. Condition: new. Hardcover. n 1917 Pablo Picasso traveled to Rome and Naples with Jean Cocteau and Igor Stravinskij. During this trip, for the first time, he could admire directly Hellenistic and Roman sculpture, that of the Renaissance and Baroque eras, but also the Roman frescoes of Pompei. The first exhibition dedicated to Picasso's sculpture to be held in Rome, and its accompanying catalogue, are conceived as a journey through the centuries that chronologically follows the interpretation of forms and different themes - stories and myths, bodies and figures, objects and fragments - in sculpture. The exhibition of masterpieces of the great Spanish master is accompanied by previously unpublished images of his sculpture studios (by Edward Quinn) that narrate the context in which these works were born. The catalogue includes essays that explore the visual and conceptual dialogue between the works of Picasso and works of the past, illustrating and examining over fifty works, some of which have never been exhibited before. AUTHORS: Diana Widmaier-Picasso is an art historian specialised in modern art and drawings of the old masters. She has curated numerous exhibitions and she is preparing the catalogue raisonne of the over 2000 sculptures by Pablo Picasso. Anna Coliva is the director of the Galleria Borghese. She has been responsible for the conservation work on the gallery and new layout of its artworks. She has curated over twenty exhibitions held there and edited the respective catalogues. SELLING POINT: Picasso's contribution to the revitalisation of modern sculptures cannot be underestimated. His work of over fifty years is examined in six essays and illustrated by more than 50 exhibited works 160 colour, 41 b/w images In 1917 Pablo Picasso travelled to Rome and Naples with Jean Cocteau and Igor Stravinskij. The catalogue includes essays that explore the visual and conceptual dialogue between the works of Picasso and works of the past, illustrating and examining over fifty works, some of which have never been exhibited before. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9788833670225

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