The Losers - Softcover

or was a golden boy--blond, handsome, charming, a gifted athlete and a serious student, an angel in every way. Damon Flood was a scoundrel--a smooth, smilling, cynical devil, as devious and corrupt as Raphael was open and innocent. The day Raphael met Damon was the day he began his mysterious fall from grace. And the golden boy fell very fast and very far....

A rare mainstream outing (High Hunt, 1973) from bestselling fantasist Eddings: an often disconcerting scrutiny of people seemingly fated to end up on life's scrapheap. Young Raphael Taylor has it all: he's handsome, charming, a gifted athlete and serious student--until he becomes entangled with cynical, affable, devious Damon Flood, a fellow student with some sort of secret agenda. Damon introduces Raphael to the seductive Isabel, an older woman who comes dangerously close to consuming Raphael utterly--until Raphael perceives his peril, tries to extricate himself by getting aggressively drunk, and winds up the victim of a horrible accident: he loses his leg and his manhood. Later, trying to shake free of the smothering social-workers whom Raphael regards as little better than parasites, he finds himself in a rooftop apartment in a seedy back-street in Spokane, from where he observes the wretched lives of his neighbors: the alcoholics, petty criminals, obsessives, and welfare defendants he calls the ``losers.'' And, still bedeviled by them himself, Raphael continues to blame the social-workers for perpetuating the entire miserable sequence. He finds a job and becomes friendly with fellow worker Denise, a beautiful woman with a withered arm. Then Flood shows up, pretending amicability but seemingly intent on Raphael's destruction. Yet, gradually, despite himself, Flood begins to identify with the losers and to adopt their lifestyle, falling in with a blustering, second-rate biker gang; and when the gang goes to war with a rival gang, Flood, now packing a pistol, self- destructs. Only then does Raphael, rehabilitated at last, commit himself to Denise and unravel the bizarre impulses behind Flood's need to destroy Raphael. Offbeat, intriguing, sometimes compelling work (though social- workers will probably find some of the opinions expressed here downright offensive). For non-fans of Eddings's fantasies, to which this bears not the slightest resemblance: an unexpected pleasure. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.