Naked at the Window: A Harpur & Iles Mystery - Hardcover

Bill James has been called "the Elmore Leonard of Britain's underworld" (Kirkus Reviews) and has been named a "Master of Crime" in a mystery roundup by the London Sunday Times, which said, "There is nothing else quite like this series of police procedurals. James is concerned with the dilemmas and difficulties of policing Britain's inner cities, and he addresses these in hard-edged narratives that leave readers gasping and flinching, praying the people in these stories never come to live in their streets." In addition to the Harpur and Iles series, James is the author of other mystery series and a book on Anthony Powell. He lives in Wales.

The 19th entry in James's Harpur and Iles series (Pay Days, etc.) is padded, predictable and even occasionally plodding. What saves it is the author's ability to surprise and delight us with his language-a kind of powerful, deadpan poetry that pricks up our ears. "He looked like a single sick flower in a fine vase. You could see why he would be avid for the plus of occupational glory," is how James describes a London drug lord making a move into the unnamed British Midlands city where Harpur and Iles do their policing. The gorgeous irony of local mobsters living in suburban homes with pretentious names like Low Pastures and Tiderace is another saving grace, as are the author's less frequent but always amusing bursts of humor. "As he sometimes liked to do, Iles was lying on Harpur's desk, his head in the mock wood out-tray" makes up for pages of increasingly heavy-handed dialogue from Harpur's teenaged daughters, or descriptions of the drug dealer known as Panicking Ralph Ember fighting off one of his namesake attacks. Ember, with his dream of turning his sleazy nightclub, the Monty, into an upscale establishment, is a recognizably human if not particularly deep character, and his battle to keep the London heavy mob from destroying that dream is what passes for a plot here. But most of us stopped reading these mysteries for story several books ago; now, we're in it for the verbal brilliance.
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