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"Cormier's latest is a mesmerizing plunge into the mind of a psychopathic teen killer that is both deeply disturbing and utterly compelling."
--Booklist
"A serial killer; an aging cop with a hunch; an impulsive 15-year-old runaway: Three familiar characters are spun by a master of suspense into another disturbing study in emotional dysfunction."
--Kirkus Reviews
"Rarely has Cormier's irony been darker...readers will stay on the edge of their seats."
-- Publishers Weekly
This edgy thriller isn't textured enough to satisfy YAs who are already reading substantial adult true-life accounts of sociopaths by authors such as Ann Rule or psychological thrillers by the likes of Ruth Rendell. There are, however, a number of intriguing psychological underpinnings to attract teens who haven't made the leap. Foremost are the murky psychosexual nuances related to Eric's fixation: his young victims have long, dark hair, just like his mother's. The suggestion of incest is strong. In fact, although Cormier deserves a lot of credit for eschewing grisly sexual specifics (even an early scene in which Lori hitches a ride with a strange man and lets him kiss and fondle her is cleverly managed, with things set up so that the reader's imagination easily fills in most of the blanks), the sexual component here is far stronger than in Cormier's earlier books. And it factors as prominently in Lori's behavior as it does in Eric's. A victim of sexual harassment and abuse, Lori blatantly and aggressively uses her sexuality to get what she wants. Like Eric, she is obsessed with a search for genuine affection, and she's every bit as committed to pursuing it.
Good characterizations make up for the slender background, with both main characters revealed with equal finesse. Cormier introduces them first in alternating chapters, later smoothly entwining their perspectives after they meet and the circle of violence begins to tighten. Lori is a complicated blend--at once a selfish, vulnerable child; a sexy tease; and an intuitive young woman. Surprisingly, Eric turns out to be nearly as complex. Certainly he's a monster, but he's also cast as a victim and, finally, as a hero of sorts. He can't simply be dismissed as the stereotypical villain who gets what he deserves. His relationship with Lori (whom he tries unsuccessfully to kill and later tries to rescue from drowning) results in the final irony: he becomes human despite himself. It is the idea of Eric's humanity that is the most disquieting aspect of the novel. It is also what ultimately makes the book so seductive. That's the operative word in Cormier's dark world: seductive. Stephanie Zvirin
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