A comprehensive anthology of well-known readings in art history and art criticism which explore thematic, historical, cultural and formal issues from a variety of critical perspectives. Thematic essays address art and spirituality, art patronage, art and politics, public art, race and gender issues in art and science, and technology. For those interested a broad-based view of art history or art appreciation across cultural, gender and geographical lines.
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This anthology of readings in art history and art criticism presents a thematic approach while chronicling developments in European, African, Asian, American, African-American, Latino, and Native American art.
Author Carole Gold Calo offers readers an added dimension as she:
CAROLE GOLD CALO holds a Ph.D. in Art History from Boston University. She is Director of the Fine Arts Program and an Associate Professor of Art History at Stonehill College, N. Easton, MA. She has previously published with Prentice Hall Writings about Art and a Student Study Guide to Marilyn Stokstad's Art History (Vol. I). She has written articles for Arts Magazine, The Public Art Review, The New Art Examiner, Art New England, and Sculpture Magazine.
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