Lynne Reid Banks was born in London. After studying at the Royal Academy of Dramatic Art, she acted and wrote for the repertory stage. Later, she turned to journalism, becoming one of Britain's first female television news reporters. In 1962 she emigrated to Israel, where she married a sculptor, had three sons and taught for eight years in a kibbutz. She now lives with her husband in England. She writes, travels, and visits schools, at home and abroad, full-time. Among Lynne Reid Banks's popular novels for young readers are
Angela and Diabola; Harry the Poisonous Centipede; The Fairy Rebel; The Farthest-Away Mountain; The Adventures of King Midas; The Magic Hare; Maura's Angel; and the award-winning
Indian in the Cupboard books.
Tinged with Buddhist notions of karma and reincarnation, Banks's (The Indian in the Cupboard) riveting tale of reprisal and redemption centers on a Chinese slave girl and her fierce, embittered master, the Scottish laird Bruce MacLennan. After a feud with a neighboring warlord results in the bloody deaths of his cherished wife and children, MacLennan sets in motion his plans for a huge fortress, complete with dungeon, and then decamps to the fabled land of China in search of adventure. Working as a hired fighter, MacLennan encounters young Mudan (Peony) and, on impulse, buys her as his tea slave. The child's presence begins to reawaken feelings of tenderness in MacLennan, which he does his best to squelch. In another, more conventional novel, this softening might be the start of the warrior's re-entry into the world of the loving; here, it is simply the beginning of a heart-wrenching struggle between compassion and vengeance. For her part, Peony takes scraps of happiness where she can, gleaning wisdom and courage from the teachings of the Buddhist soldier with whom MacLennan travels; some years later, when she accompanies MacLennan back to Scotland, she finds something like familial love in her friendship with a kind stable boy. As the novel moves toward its conclusion, it conveys a powerful message about the terrible price of unswerving revenge. A poignant epilogue offers a spark of hope, especially welcome after all the sorrow that precedes it. Ages 12-up.
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